https://yachuchang.net Lydia Ya Chu Chang Wed, 28 Feb 2024 10:00:57 +0000 https://yachuchang.net en https://yachuchang.net/Home Mon, 04 May 2020 10:43:10 +0000 Lydia Ya Chu Chang https://yachuchang.net/Home <img width="505" height="897" width_o="505" height_o="897" data-src="https://freight.cargo.site/t/original/i/03acad8eb559f982fed237582a0ff800b4d008a4b53cc644e49fe71cc49bb96d/1.png" data-mid="205654518" border="0" src="https://freight.cargo.site/w/505/i/03acad8eb559f982fed237582a0ff800b4d008a4b53cc644e49fe71cc49bb96d/1.png" /> <img width="3840" height="2560" width_o="3840" height_o="2560" data-src="https://freight.cargo.site/t/original/i/66f695af345a00a3ce9177efc643c27e4cc1d983abadeeff54917b1d69f23b76/concept-model_3.jpg" data-mid="71268889" border="0" src="https://freight.cargo.site/w/1000/i/66f695af345a00a3ce9177efc643c27e4cc1d983abadeeff54917b1d69f23b76/concept-model_3.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" 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src="https://freight.cargo.site/w/1000/i/8551fa21b3671be9e27e3831072b4b543ab58783a3530fbff09e56f5608efe6f/-2021-11-18-7.35.15.png" /> <img width="2365" height="3547" width_o="2365" height_o="3547" data-src="https://freight.cargo.site/t/original/i/a074dac8234c9c581ef850e645d651457d65863e5576adbb9d53aa2b3c25ffb5/3X7A8416-.JPG" data-mid="110635169" border="0" src="https://freight.cargo.site/w/1000/i/a074dac8234c9c581ef850e645d651457d65863e5576adbb9d53aa2b3c25ffb5/3X7A8416-.JPG" /> <img width="960" height="640" width_o="960" height_o="640" data-src="https://freight.cargo.site/t/original/i/665e8f4a4ab715c6b5839c0fe488d7f30b0b05ad3107351ddb66fc5f6fb298f5/547557_503692039668051_491422161_n_o.jpg" data-mid="71415883" border="0" src="https://freight.cargo.site/w/960/i/665e8f4a4ab715c6b5839c0fe488d7f30b0b05ad3107351ddb66fc5f6fb298f5/547557_503692039668051_491422161_n_o.jpg" /> <img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/65552d260542611be778793c4429719af4c9e37917a60d0629f36e9438bc1abb/a-IMG_7546.JPG" data-mid="71311490" border="0" src="https://freight.cargo.site/w/1000/i/65552d260542611be778793c4429719af4c9e37917a60d0629f36e9438bc1abb/a-IMG_7546.JPG" /> <img width="3840" height="2560" width_o="3840" height_o="2560" data-src="https://freight.cargo.site/t/original/i/8ab231852e05820ab8fc0775856e01813aa6a081744bdebbbdafcc9adadfa659/3X7A7715.JPG" data-mid="71476722" border="0" src="https://freight.cargo.site/w/1000/i/8ab231852e05820ab8fc0775856e01813aa6a081744bdebbbdafcc9adadfa659/3X7A7715.JPG" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/af8541ef39cf4c01c59c85939d060a6cba92f1693b22d7b212a2ada33a48bffd/131624561_409112223859698_3005392735659046912_n.jpg" data-mid="94378473" border="0" 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data-src="https://freight.cargo.site/t/original/i/08c832c855839da8bc1516ec521be6e4886dd9b89133392c648c773f2a3b596f/TDC_6599.JPG" data-mid="71415691" border="0" src="https://freight.cargo.site/w/1000/i/08c832c855839da8bc1516ec521be6e4886dd9b89133392c648c773f2a3b596f/TDC_6599.JPG" /> <img width="1181" height="787" width_o="1181" height_o="787" data-src="https://freight.cargo.site/t/original/i/c94334e025d22dd056fa7797a308f131c212e2fb8529e8d0ec0eeaaf73f8f064/Dish-1-_-Crossing-Straight-.jpg" data-mid="71270024" border="0" src="https://freight.cargo.site/w/1000/i/c94334e025d22dd056fa7797a308f131c212e2fb8529e8d0ec0eeaaf73f8f064/Dish-1-_-Crossing-Straight-.jpg" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/f0af2c6e344518a4d4cbceedee19d2b749f5d970a4f443cb029c0450eb14d145/IMG_1681.JPG" data-mid="80774974" border="0" src="https://freight.cargo.site/w/1000/i/f0af2c6e344518a4d4cbceedee19d2b749f5d970a4f443cb029c0450eb14d145/IMG_1681.JPG" /> <img width="2313" height="2409" width_o="2313" height_o="2409" data-src="https://freight.cargo.site/t/original/i/9429bfe8b5a90a93f10159c9899a25408e414edc0a93ad47fbd862caba826aad/13X7A6512.jpg" data-mid="80773839" border="0" src="https://freight.cargo.site/w/1000/i/9429bfe8b5a90a93f10159c9899a25408e414edc0a93ad47fbd862caba826aad/13X7A6512.jpg" /> https://yachuchang.net/Blue-House-Study-Blue-Eyes Wed, 28 Feb 2024 10:00:57 +0000 Lydia Ya Chu Chang https://yachuchang.net/Blue-House-Study-Blue-Eyes / Blue House Study - Blue Eyes藍屋研究－藍眼睛：心境 文／張雅筑 （2022.05&nbsp;原文刊登於北美館官網） 「普羅米修斯為人類盜取智慧之火，人類開始追求知識的偉大，長年被教育、被訓練、被期許成為閱讀人（Homo Legens），卻漸漸忘記智人（Homo Sapiens）是如何懂得善用獸性感知的原始本能生活、身體力行感受自然萬物的一切。」1遊走在《藍屋》的現實與想像之間。聲音迴盪知道方向與尺度，空氣中尋找愛與危險的氣息，木頭的氣味想像到原始的山林，天井中看去，夜空的星星與月亮透漏了時間與宇宙的運作。 《藍屋》雖然沒有明確的目的，也不是一個多功能空間，它可能是一個盛裝事件的容器，一片大海或森林入口，一座私密的公共建築。更重要的它是關於當下的不同閱讀方式。它關乎模糊性（Ambiguity），這個模糊性非常真實，能夠精確的被策劃，卻觸摸不到。 《翡翠之城》裡的最後一段話說「人都說要理性。理性，僅只是我們生命官能的二十分之一；理性，所知道的僅是它已學習到的東西，有些東西，我們可能永遠學習不到，人類的本性是一個整體，要作為一個整體來行動，有意識的。」2生活的每一刻都是過去、現在和未來共存的證據，都是暫時，卻永恆的。因此建築的意義不只存在於物理上，而是抽象指涉的無限延異，能夠隨時變化、流動，超越明確的尺寸與材料。《藍屋研究》初衷是找尋一種更為貼近個體之間意識與感知上的匯集與流動，這樣的建築，會漸漸地長成獨一無二的身體經驗，以不同的樣態在世界上持續演化與生長。這之中空間的力量是由個人開始的，而漸漸蔓延成集體自覺與共感。 《藍屋研究》是由「藍屋」策劃的五場體驗與一項持續不間斷的遊戲，回到對五種感官最初始的認識，以身體經驗尋回本能採集世界訊息的方式。〈藍耳朵：空 ( ) 聲〉透過聲音體現出空間邊界、方位、尺度、材質與身體的關係，勾勒出《藍屋》的形體。〈藍眼睛：心境〉如果不用視力閱讀，什麼是藍，什麼又是家的意象？《藍屋》的形體會是以什麼樣貌存在？黑暗中的感官對話，在集體的想像中建造《藍屋》。〈藍鼻子：此在他方〉以氣味置換空間，透過個人對氣味的想像跳脫出《藍屋》的實體邊界。〈藍身體：水上的精靈之歌〉在有形與無形之間，與所有在《藍屋》相遇的人們創造即興的真實互動，存在即是參與。〈藍意識：融入共眠〉嘴裡含一塊《藍屋》形體的冰塊，作為睡眠的起始點，在公共空間中，感受身體與建築空間融為一體，一起做夢。〈藍字〉一個藏在《藍屋》裡的任務，每個人的身體都是一個探測儀，試著用自己作為單位去丈量空間。 人的一生由一連串事件組成，我們透過創造事件參與了彼此的生命，期望在日常中共同製造一點即興，一點浪漫，在模糊不清中隨遇而安，在這之中，文不一定需要對題的對話。相信所有的元素都會和諧地找到一個自己的位置。 <img width="3840" height="2560" width_o="3840" height_o="2560" data-src="https://freight.cargo.site/t/original/i/8f6ae8073fa697c702873d4e6586f5e6c3294ebc2f3dc46f828c60eb141aea06/3X7A8664.JPG" data-mid="205653601" border="0" data-scale="76" src="https://freight.cargo.site/w/1000/i/8f6ae8073fa697c702873d4e6586f5e6c3294ebc2f3dc46f828c60eb141aea06/3X7A8664.JPG" /><img width="1440" height="806" width_o="1440" height_o="806" data-src="https://freight.cargo.site/t/original/i/25ba3d28ab877fbdc310b8d8c0722734b1ac8afa683c10737a30044031c105d4/____-Lydia-Chang3.png" data-mid="205653502" border="0" data-scale="76" src="https://freight.cargo.site/w/1000/i/25ba3d28ab877fbdc310b8d8c0722734b1ac8afa683c10737a30044031c105d4/____-Lydia-Chang3.png" /> <img width="1440" height="804" width_o="1440" height_o="804" data-src="https://freight.cargo.site/t/original/i/6fb44ea0a1f1fb671080de744070fd33135f71ddeb6a7c27e37966b1b46b860f/____-Lydia-Chang14.png" data-mid="205653501" border="0" data-scale="76" src="https://freight.cargo.site/w/1000/i/6fb44ea0a1f1fb671080de744070fd33135f71ddeb6a7c27e37966b1b46b860f/____-Lydia-Chang14.png" /> &nbsp; <img width="2560" height="3840" width_o="2560" height_o="3840" data-src="https://freight.cargo.site/t/original/i/56ffb45223891ffcecdc5b6c2770b0db4c1ad7cfe48aff7e2a0ffa666b91e2fa/3X7A8657.JPG" data-mid="205653588" border="0" data-scale="57" src="https://freight.cargo.site/w/1000/i/56ffb45223891ffcecdc5b6c2770b0db4c1ad7cfe48aff7e2a0ffa666b91e2fa/3X7A8657.JPG" /> <img width="2560" height="3840" width_o="2560" height_o="3840" data-src="https://freight.cargo.site/t/original/i/8428026ef230425df829bc9de05c490c0fbd696cd2829fdbd77918af8eb46a53/3X7A8512.JPG" data-mid="205653585" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/8428026ef230425df829bc9de05c490c0fbd696cd2829fdbd77918af8eb46a53/3X7A8512.JPG" /><img width="2560" height="3840" width_o="2560" height_o="3840" data-src="https://freight.cargo.site/t/original/i/40e15edf5415770251200505c66dfde2f94734d327ea57b871de7a2dd92e8001/3X7A8622.JPG" data-mid="205653586" border="0" data-scale="39" src="https://freight.cargo.site/w/1000/i/40e15edf5415770251200505c66dfde2f94734d327ea57b871de7a2dd92e8001/3X7A8622.JPG" />&nbsp; &nbsp; <img width="1440" height="807" width_o="1440" height_o="807" data-src="https://freight.cargo.site/t/original/i/93a92c8fbd6879fc1ab0ec3bbc3ea088eab3d3a031108b6dd5711a9cfec1c72b/____2.png" data-mid="205653505" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/93a92c8fbd6879fc1ab0ec3bbc3ea088eab3d3a031108b6dd5711a9cfec1c72b/____2.png" /> / https://yachuchang.net/Irrigation-canal-play-pond Tue, 25 Aug 2020 07:27:09 +0000 Lydia Ya Chu Chang https://yachuchang.net/Irrigation-canal-play-pond / The GongGuan Play PondWork with local Jujube farmer, we developed the irrigation canal system on their private land to make a pond for the community. GongGuan village is a beautiful place, where houses are built on the top of the canal, the irrigation system is running around the underground. Beside the agriculture purpose, there are no other uses of the canal water. The pond is designed for play, to create a spod on an under valued waste land beside the canal. Trying to re-engaged people’s life back to the water.&nbsp; Miao Li, GongGuan 2020&nbsp; 感謝業主ME棗居帶給我的挑戰讓我成為更堅強的人 <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/458ebdb74185543fa498223be417d00c489930f95e67dd31fb5dacdeec6cd5d9/3X7A6169.JPG" data-mid="80772931" border="0" src="https://freight.cargo.site/w/1000/i/458ebdb74185543fa498223be417d00c489930f95e67dd31fb5dacdeec6cd5d9/3X7A6169.JPG" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/48b683a1486f7bb75dc38783da1039265090987c21ce35d6798a8745e388d93a/3X7A6174.JPG" data-mid="80773444" border="0" src="https://freight.cargo.site/w/1000/i/48b683a1486f7bb75dc38783da1039265090987c21ce35d6798a8745e388d93a/3X7A6174.JPG" /><img width="3840" height="2560" width_o="3840" height_o="2560" data-src="https://freight.cargo.site/t/original/i/d47a806f3c01bf43ad7d91d52bcc404054fa6bc16aec8c679b884488235e4624/3X7A3859.JPG" 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height="2560" width_o="3840" height_o="2560" data-src="https://freight.cargo.site/t/original/i/52bc6552e241b8be8c361202c7e054310365dcf2d1782f8f643f08c270e34533/3X7A6195.JPG" data-mid="80773445" border="0" src="https://freight.cargo.site/w/1000/i/52bc6552e241b8be8c361202c7e054310365dcf2d1782f8f643f08c270e34533/3X7A6195.JPG" /> <img width="2313" height="2409" width_o="2313" height_o="2409" data-src="https://freight.cargo.site/t/original/i/d5518313a9745c4771d47f602a48d5534e4ca874e5844fabbe1f0b1469ab695c/13X7A6512.jpg" data-mid="80773133" border="0" src="https://freight.cargo.site/w/1000/i/d5518313a9745c4771d47f602a48d5534e4ca874e5844fabbe1f0b1469ab695c/13X7A6512.jpg" /><img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/75e3c386ae541d46d62cc11d73575e45d9ca8520e8ee49ccef5d4d1c6f6017d5/3X7A4738.JPG" data-mid="80773570" border="0" src="https://freight.cargo.site/w/1000/i/75e3c386ae541d46d62cc11d73575e45d9ca8520e8ee49ccef5d4d1c6f6017d5/3X7A4738.JPG" /><img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/9ec596f0fb63c0dd666ca4658eb28472eb2377e3063b909f89b6f9b8943f5e31/3X7A4748.JPG" data-mid="80773514" border="0" src="https://freight.cargo.site/w/1000/i/9ec596f0fb63c0dd666ca4658eb28472eb2377e3063b909f89b6f9b8943f5e31/3X7A4748.JPG" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/223923b19f2acfe92c4d5406dd92e707fd2dad1ea9e2ee08e97b7eb68f376499/3X7A4538.JPG" data-mid="80773593" border="0" src="https://freight.cargo.site/w/1000/i/223923b19f2acfe92c4d5406dd92e707fd2dad1ea9e2ee08e97b7eb68f376499/3X7A4538.JPG" /> / https://yachuchang.net/The-Intangible-Wall Mon, 04 May 2020 10:43:11 +0000 Lydia Ya Chu Chang https://yachuchang.net/The-Intangible-Wall / <img width="3840" height="2560" width_o="3840" height_o="2560" data-src="https://freight.cargo.site/t/original/i/bcec2082f14e368228819178d9dff30528957331fd6f04775bc4a3bc198f8680/3X7A7671.JPG" data-mid="69593052" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/bcec2082f14e368228819178d9dff30528957331fd6f04775bc4a3bc198f8680/3X7A7671.JPG" /><img width="3840" height="2560" width_o="3840" height_o="2560" data-src="https://freight.cargo.site/t/original/i/3530568c02f1b00d69bc7051ca8e4e7c4ef8bde819ffba9a96f1fbb360c33515/3X7A7715.JPG" data-mid="69838179" border="0" src="https://freight.cargo.site/w/1000/i/3530568c02f1b00d69bc7051ca8e4e7c4ef8bde819ffba9a96f1fbb360c33515/3X7A7715.JPG" /><img width="3840" height="2560" width_o="3840" height_o="2560" data-src="https://freight.cargo.site/t/original/i/c4f8d471601e67885ebf1c15b275a65fc7d3958b75b92d363c483a03dc8ec685/3X7A7719.JPG" data-mid="69838181" border="0" src="https://freight.cargo.site/w/1000/i/c4f8d471601e67885ebf1c15b275a65fc7d3958b75b92d363c483a03dc8ec685/3X7A7719.JPG" /><img width="3840" height="2560" width_o="3840" height_o="2560" data-src="https://freight.cargo.site/t/original/i/cf984b625bc870ec079b23312df01af0808ef1dfef2610244e6d91164e2d0946/3X7A7743.JPG" data-mid="69838182" border="0" src="https://freight.cargo.site/w/1000/i/cf984b625bc870ec079b23312df01af0808ef1dfef2610244e6d91164e2d0946/3X7A7743.JPG" /> <img width="4961" height="7016" width_o="4961" height_o="7016" data-src="https://freight.cargo.site/t/original/i/0901a8c2cbad3ec819233d8be58cf6322829454b276f0b54aefbf21b3a76d9eb/Table-Review---Portrait11.jpg" data-mid="69838141" border="0" src="https://freight.cargo.site/w/1000/i/0901a8c2cbad3ec819233d8be58cf6322829454b276f0b54aefbf21b3a76d9eb/Table-Review---Portrait11.jpg" /> <img width="4961" height="7016" width_o="4961" height_o="7016" data-src="https://freight.cargo.site/t/original/i/0b9f5b5390052fcb53cab971fddba48304890c0689c4f78d68153b8be03a81f6/Table-Review---Portrait14.jpg" data-mid="69838151" border="0" src="https://freight.cargo.site/w/1000/i/0b9f5b5390052fcb53cab971fddba48304890c0689c4f78d68153b8be03a81f6/Table-Review---Portrait14.jpg" /> The Intangible Wall ｜虛線 RCA Architecture final show 2019 Walls are usually built to divide. There are these boundaries created by us to serve our own desire. Modern life depends upon technology so much that its openness and transparency make us lose privacy. In a world where efficiency is virtuous, representation is preferred and illusion is normalised, a person is condemned to find his own meaning. He does so not so much from passively receiving information; rather, he seeks to imagine it in a way that serves his own desire. The irrelevance that individuals feel within society amplifies day by day. Astray from the collective, individuals are searching for a solitary life. Within this context, humans are seeking a balance between these contradicting forces in their inner self. The long history of Taiwan has involved bittersweet stories of the colonisers and the colonised. At the end of the 19th century, Taiwan went from one’s colony to another’s under Japanese rule; Taiwanese people’s privacy and rights were further denied. 1921 marked the year when Taiwanese military resistance turned to non-violent cultural resistance. In the same year, the Taiwanese Cultural Association was founded as the leading force against Japanese colonisers. These events house the dialogue; through dialogue, one imagines. Imagination then becomes a physical manifestation of what’s eternal. The project is about two buildings, one in the year 1921 and the other one in 2021. This is a project that makes walls through openings and they house dialogue. Light as the intangible wall dissolving the boundary and hierarchy of a space. The publicity and privacy are read on a gradient. The form of light lights up a territory where you can choose to jump in and out, moving freely between the ‘walls’. There is no physical boundary within individual spaces. Light becomes an ambiguous spatial division; a tool to orchestrate the spatial arrangement through different forms, darkness, lightness and ever-changing phenomena. The spatial organisation would change through time. The interior space is like a landscape of light opening to interpretation and indeterminate in function. Light as a language. The activity follows where the space is lit up. It immediately draws one space into many. Light is about a spatial presence with the ability for different readings. It is the language between individual and space, space and time. Language is the house of being. In its home, human beings dwell. Those who think and those who create with words are the guardians of this home. A space grants freedom, seduction, imagination, letting go… Studio | ADS5: Ambiguous Architecture IISpecial Thanks | Christopher Dyvik, Max Kahlen, Isabel Pietri / https://yachuchang.net/Vahey Mon, 10 Aug 2020 05:59:01 +0000 Lydia Ya Chu Chang https://yachuchang.net/Vahey 地下屋 &nbsp; The Vahey Project&nbsp; pit-dwelling workshop collaboration with Si Javitong, Fang-Chi Tsai and Tao People Orchid Island, 2020 22.0567358°N, 121.5324732°E淡馬顏 - 中國史籍 Botel Tobago Insel - 德語古地圖 紅頭嶼 - 日治時期 蘭嶼 - 光復之後 <img width="3840" height="2560" width_o="3840" height_o="2560" data-src="https://freight.cargo.site/t/original/i/7924bfb3af3c106f635c3d64b3393983cdb4325b503830d5085fc3ce9a952185/3X7A7653.JPG" data-mid="80694235" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/7924bfb3af3c106f635c3d64b3393983cdb4325b503830d5085fc3ce9a952185/3X7A7653.JPG" /><img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/1fc12e82a9cfb90556321a97a88fdd7588e441c1c011098a30ff96d429a5c6f9/3X7A7655.JPG" data-mid="80694212" border="0" src="https://freight.cargo.site/w/1000/i/1fc12e82a9cfb90556321a97a88fdd7588e441c1c011098a30ff96d429a5c6f9/3X7A7655.JPG" /><img width="3840" height="2560" width_o="3840" height_o="2560" data-src="https://freight.cargo.site/t/original/i/523736ed6e24ed51ae83a09bfe7dc166a4c128f89fec1d1c89088ce526589057/3X7A8324.JPG" data-mid="110602821" border="0" src="https://freight.cargo.site/w/1000/i/523736ed6e24ed51ae83a09bfe7dc166a4c128f89fec1d1c89088ce526589057/3X7A8324.JPG" /> <img width="2878" height="1610" width_o="2878" height_o="1610" data-src="https://freight.cargo.site/t/original/i/3e44f065889839425096f7525ea0d59e725fa6a00844bf0a5ad5bebe06c449c6/Screenshot-2020-09-04-at-10.46.18.PNG" data-mid="110435784" border="0" src="https://freight.cargo.site/w/1000/i/3e44f065889839425096f7525ea0d59e725fa6a00844bf0a5ad5bebe06c449c6/Screenshot-2020-09-04-at-10.46.18.PNG" />郎島部落的蔡武論帶路 進入家族林場認識樹種 <img width="2560" height="3840" width_o="2560" height_o="3840" data-src="https://freight.cargo.site/t/original/i/42feb98f4c0f2b98514eb53e9cea5ab02d49afd75d2dbf5284578676ca7051fe/3X7A8336.JPG" data-mid="110630192" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/42feb98f4c0f2b98514eb53e9cea5ab02d49afd75d2dbf5284578676ca7051fe/3X7A8336.JPG" /> Si Javitong <img width="2560" height="3840" width_o="2560" height_o="3840" data-src="https://freight.cargo.site/t/original/i/f1ee5287eb1b678572d86cb2c57167ec9520a0788e06c2bb97c5cbfb2b72f6fc/3X7A8341.JPG" data-mid="110630195" border="0" data-scale="33" src="https://freight.cargo.site/w/1000/i/f1ee5287eb1b678572d86cb2c57167ec9520a0788e06c2bb97c5cbfb2b72f6fc/3X7A8341.JPG" /> <img width="2560" height="3840" width_o="2560" height_o="3840" data-src="https://freight.cargo.site/t/original/i/de7c492fc3c193269f575c16a3c7ba37faa0c6d2319a68d146935206cb094403/3X7A8344-2.jpg" data-mid="110602942" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/de7c492fc3c193269f575c16a3c7ba37faa0c6d2319a68d146935206cb094403/3X7A8344-2.jpg" /> 竹子(Gan Na Lan)家族林場中的家徽<img width="3840" height="2560" width_o="3840" height_o="2560" data-src="https://freight.cargo.site/t/original/i/d9643f07f49386c21e08eb053500999e0302ee2150cba9a40d25bc8f3c02758a/3X7A8356.JPG" data-mid="110630551" border="0" data-scale="55" src="https://freight.cargo.site/w/1000/i/d9643f07f49386c21e08eb053500999e0302ee2150cba9a40d25bc8f3c02758a/3X7A8356.JPG" /> <img width="3840" height="2560" width_o="3840" height_o="2560" data-src="https://freight.cargo.site/t/original/i/212fe8301c20aaae8303186f7ff0b5a311953dee0d64019662bdaec0c43e626e/3X7A8030.JPG" data-mid="80693565" border="0" 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src="https://freight.cargo.site/w/1000/i/0dd59db84e4e6ba50d3fd10cc893242727f4b44daf0b7d8a712fd719a006bd67/Tao-workshop2.jpg" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/849205f8702d22cab832aa439a93286046d518291dca5c3f54b921951b206dc1/IMG_3312.JPG" data-mid="110607708" border="0" src="https://freight.cargo.site/w/1000/i/849205f8702d22cab832aa439a93286046d518291dca5c3f54b921951b206dc1/IMG_3312.JPG" /> <img width="3840" height="2560" width_o="3840" height_o="2560" data-src="https://freight.cargo.site/t/original/i/4f98d18a4bfbf38b7a3d529cd238d20163974bfb208f3550379a6142dea377d9/3X7A7665.JPG" data-mid="110607891" border="0" src="https://freight.cargo.site/w/1000/i/4f98d18a4bfbf38b7a3d529cd238d20163974bfb208f3550379a6142dea377d9/3X7A7665.JPG" /><img width="3840" height="2560" width_o="3840" height_o="2560" data-src="https://freight.cargo.site/t/original/i/e84ec65f5730f3e5c12f653f79078d1336b1b4084081e9f8a81dccf23ff4963a/3X7A7895.JPG" data-mid="110607762" border="0" src="https://freight.cargo.site/w/1000/i/e84ec65f5730f3e5c12f653f79078d1336b1b4084081e9f8a81dccf23ff4963a/3X7A7895.JPG" /><img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/5a5bc781a8c52076a4f267ac5e6b5a9804fc9f128430ecaac0fb2645085b8dd9/3X7A7973.JPG" data-mid="110607768" border="0" src="https://freight.cargo.site/w/1000/i/5a5bc781a8c52076a4f267ac5e6b5a9804fc9f128430ecaac0fb2645085b8dd9/3X7A7973.JPG" /><img width="1002" height="1782" width_o="1002" height_o="1782" data-src="https://freight.cargo.site/t/original/i/444341d983e5ff49bbdeaf7fdb93cd4c76c5f1fe9bf0214949cc14a4b8b72faf/3X7A45191.png" data-mid="110607625" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/444341d983e5ff49bbdeaf7fdb93cd4c76c5f1fe9bf0214949cc14a4b8b72faf/3X7A45191.png" /><img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/77002b8eb42bd7c1244aa219cab78ac6124e0aba602173bcb99886aeefb55e81/IMG_3224.JPG" data-mid="80781196" border="0" data-scale="54" src="https://freight.cargo.site/w/1000/i/77002b8eb42bd7c1244aa219cab78ac6124e0aba602173bcb99886aeefb55e81/IMG_3224.JPG" /> 劉其偉, 蘭嶼部落文化藝術, 藝術家出版社, 1982 千千岩助太郎, 台灣高砂族之住家, 丸善雄松堂出版, 1960&nbsp; 夏曼藍波安, 海浪的記憶, 聯合文學出版, 2002 指導單位：文化部 主辦單位：財團法人台灣經濟研究院、財團法人蘭嶼部落文化基金會 photo by Lydia, TsaiTsai and Yen Chuan / https://yachuchang.net/Timeless-Space Mon, 04 May 2020 10:43:12 +0000 Lydia Ya Chu Chang https://yachuchang.net/Timeless-Space / Timeless Space Advisor: Igea Troiani Abstract Every single moment we lived is evidence of the coexistence of the past, the present, and the future. What one has accumulated from the past becomes the nutrients of the present, openly containing time, space and life. In the modern life, all the things human created will one day cycle back to our life circle. Civilisation formats every modern person’s life. People lost the sensibility and the ability of living in the nature when long living in the city. People also lost the meaning of being in the world. Through this essay I want to discuss about to what extent is civilisation, characterised by technological progress and modernity, an underlying cause to our loss of the coexistence with the nature and how can the architecture concern itself with this? I would like to introduce Ancient Chinese wisdom “Jie Qi” on co-living with nature and “Yi Jing” on finding one’s sense of existence to response to the sustain living with nature and achieve the worldwood; the Timeless Place.&nbsp; The only thing that is unchanged in the world is changing. <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/2c1cc9a38ba7a64c539bb8bb8cf6ac633daf43d831d51e477bbf44b8f6e05506/Wat.Umong.original.7275.jpg" data-mid="69671370" border="0" src="https://freight.cargo.site/w/1000/i/2c1cc9a38ba7a64c539bb8bb8cf6ac633daf43d831d51e477bbf44b8f6e05506/Wat.Umong.original.7275.jpg" /> / https://yachuchang.net/New-Neighbour Wed, 06 May 2020 04:48:33 +0000 Lydia Ya Chu Chang https://yachuchang.net/New-Neighbour ︎ New Neighbour 新鄰居Bridge HoleTaipei&nbsp;2021/10/21-2021/10/27

2021年10月21日我入住了橋洞，成為八德市場攤販的鄰居。我每日拍攝一些市場中與我對話的人們、他們給我看的私人物件、他們的居住空間、他們的攤位擺 設，或是剛搬離暫時空著的店面。我將這些稍縱即逝的橋下片段製作成明信片， 於我的窗外販售。如果有收入將作為隔日印製明信片的成本。八個夜晚之後，我會不會開始覺得這裡像家？ On October 21st, 2021, I move into Bridge Hole and become a new neighbour of the vendors in Bade Market. I take pictures of the people I talk to in the market, their belongings, their living spaces, their stands, or the vacant store space that the vendors left behind. These ephemeral fragments are made into postcards and sold outside of my storefront. Any income will be used for printing postcards of the next day. After living here for eight nights, will I start to feel at home? and I realised ‘privacy is a privilege.’ <img width="1347" height="896" width_o="1347" height_o="896" data-src="https://freight.cargo.site/t/original/i/65966640a95fb633a4e0e9cd82249d6fb6eae5d0abe5ba46416b412ee927e7ad/-2021-11-18-7.35.15.png" data-mid="126802570" border="0" src="https://freight.cargo.site/w/1000/i/65966640a95fb633a4e0e9cd82249d6fb6eae5d0abe5ba46416b412ee927e7ad/-2021-11-18-7.35.15.png" /> dominate&nbsp; 從自然界來看，空氣裡的微小粒子跟開水、吃的食物跟細菌微生物、我們睡覺時可能身體感知被蛋白質、信仰跟自由意志之間、海洋與大氣之間的交換、宇宙的運行誕生與毀滅，其實看似處在一個平衡之中，但他其實是無時無刻都在改變的，可能以人類有限的生命裡無法察覺，看不見「改變」所以我選「動態平衡」這個字，是想講這種生命隨時生滅不斷改變的一種「無常」的狀態，我們所見的每一刻，都只是一「片段」，因為人類太渺小了，我們只能以自己的生命單位去衡量這個尺度，所以我們會說「生命的片刻」 物體間dominate的關係是無所不在的，但其實也不存在 dominate另一個意義上來說，可以理解為「自由」的拿捏，因為在17世紀初期，拉丁語的dominat-，是「被統治」的意思，動詞dominus，是「掌握，主人/ 大師」的意思所以能不能理解為，當我們做最擅長的事，就自然會處在一種dominate的狀態？ 所以我覺得問題會在於，我們擁有這個自由/ 權利/ 力量時，能不能夠感受觀察到他創造的影響？ ︎ https://yachuchang.net/Consciousness Mon, 04 May 2020 10:43:10 +0000 Lydia Ya Chu Chang https://yachuchang.net/Consciousness / CollectoliveSpace as a Device for Consciousness of Nature Unconsciousness of Collective Ritual 空間作為精神與自然意識之啟發，引領無意識社會性儀式 RCA Architecture 2018&nbsp; The studio has the ambition to verify whether architecture, as a discipline, can still challenge norms and behaviours imposed by the present urban condition and thus reclaim a meaning for contemporary practice. The project is conceived as a reconstructed social pattern of Pantano, the peri-urban area at the very edge of the city, where Rome meets the countryside. Olive as the object of collective ritual, as transformation of the way in which the inhabitants relate with the territory. The inhabitants of a disperse territory of informal settlements can relate with the landscape as a source of collective relationships: the cultivation, harvest, production and exchange. The inhabitants can recognise themselves as a collective body, construct a common identity and present it to the rest of the city.&nbsp; <img width="444" height="443" width_o="444" height_o="443" data-src="https://freight.cargo.site/t/original/i/63c0876a69ffdacb6513f576c3dd4afc4c1e5a81adecd286d6932bebc8791418/olive-collection.png" data-mid="70658935" border="0" data-scale="90" src="https://freight.cargo.site/w/444/i/63c0876a69ffdacb6513f576c3dd4afc4c1e5a81adecd286d6932bebc8791418/olive-collection.png" /> <img width="872" height="623" width_o="872" height_o="623" data-src="https://freight.cargo.site/t/original/i/26379ce38e00237eee9e675ff33f4ad06d653a612c8133f10186c464a997c759/CHAN_999_02_129.jpg" data-mid="70659756" border="0" src="https://freight.cargo.site/w/872/i/26379ce38e00237eee9e675ff33f4ad06d653a612c8133f10186c464a997c759/CHAN_999_02_129.jpg" /> <img width="978" height="623" width_o="978" height_o="623" data-src="https://freight.cargo.site/t/original/i/650dadab30a015b3b6542290452c58da95fb67d3d9a1d96e9be3a4af701fe132/Acquedotto-Claudio_3.jpg" data-mid="70659387" border="0" src="https://freight.cargo.site/w/978/i/650dadab30a015b3b6542290452c58da95fb67d3d9a1d96e9be3a4af701fe132/Acquedotto-Claudio_3.jpg" /> Cellules polyvalentes 1960-1975, Chanéac Acquedotto Claudio The Archive derived from two selected images as a conceptual and methodological tool to construct constellations of forms and information to which the architectural project is called to give form, representation and organization. Archives are systems of meanings which correspond to collective rituals, codified systems of actions that allow human beings to live together. investigates the potential of architecture to give form to collective rituals, challenging the current organisation of life and opening the tremendous and troubling possibility to reset social conventions and reimagine the savage need to live together. <img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/2deb39278b67f0a48095ee48c982f1964ad37bad516cb2314f6c5ee2537c4710/3.jpg" data-mid="69592044" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/2deb39278b67f0a48095ee48c982f1964ad37bad516cb2314f6c5ee2537c4710/3.jpg" /> <img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/2771e974e5f928f5bfa76608c1fc0a28e5e0a61f59d291137bb908afef239749/04.jpg" data-mid="70662094" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/2771e974e5f928f5bfa76608c1fc0a28e5e0a61f59d291137bb908afef239749/04.jpg" /> The Archive project continues to be investigated on the human’s physical and mental relationship with nature, landscape and architecture. <img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/c77bdb008c243296f7f63194fe4b9b8c7b109bcfd66d4129992cf3f39ab1ae16/sketch_1.jpg" data-mid="70661998" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/c77bdb008c243296f7f63194fe4b9b8c7b109bcfd66d4129992cf3f39ab1ae16/sketch_1.jpg" /> Settlement, Tao, Orchid Island <img width="3840" height="2560" width_o="3840" height_o="2560" data-src="https://freight.cargo.site/t/original/i/9f381eec031daf2588725e47d011379a7349bf27ba6938d6d340096087094aa2/concept-model_4.jpg" data-mid="71434916" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/9f381eec031daf2588725e47d011379a7349bf27ba6938d6d340096087094aa2/concept-model_4.jpg" /><img width="3840" height="2560" width_o="3840" height_o="2560" data-src="https://freight.cargo.site/t/original/i/66f695af345a00a3ce9177efc643c27e4cc1d983abadeeff54917b1d69f23b76/concept-model_3.jpg" data-mid="69591961" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/66f695af345a00a3ce9177efc643c27e4cc1d983abadeeff54917b1d69f23b76/concept-model_3.jpg" /> Invisible, Equalibrium, Continuity Flânerie is the act of strolling, with all of its accompanying associations. A plan development on de-efficiency space based on the map from the exsiting natural element on site.&nbsp; Olive production, distribution, exchange and consumption transform into the landscape and building, and condensed in one architecture form; the building integrated with landscape environmentally and physically. The new territory also allows individual to explore the olive forest freely at the same time experience the olive oil production as a whole. The architecture becomes a new ‘centre’ embodies freedom, existence, and embraces collective ritual. <img width="2339" height="1654" width_o="2339" height_o="1654" data-src="https://freight.cargo.site/t/original/i/0efe63ccf2be1da4e5f603368a7e33e18d1f30f33cc473ade3194411d864c897/Collectolive_2.jpg" data-mid="121391781" border="0" src="https://freight.cargo.site/w/1000/i/0efe63ccf2be1da4e5f603368a7e33e18d1f30f33cc473ade3194411d864c897/Collectolive_2.jpg" /> <img width="2339" height="1654" width_o="2339" height_o="1654" data-src="https://freight.cargo.site/t/original/i/507667ddb9582552a4983bfebb25d9e824dcdc55b6024ea047adfb0f19139fbb/Collectolive_.jpg" data-mid="121391960" border="0" src="https://freight.cargo.site/w/1000/i/507667ddb9582552a4983bfebb25d9e824dcdc55b6024ea047adfb0f19139fbb/Collectolive_.jpg" /> &nbsp; &nbsp;&nbsp; / https://yachuchang.net/Contact Tue, 05 May 2020 05:54:45 +0000 Lydia Ya Chu Chang https://yachuchang.net/Contact Lydia Chang &nbsp;張雅筑 lydia.chang@network.rca.ac.uk +886 (0) 937934041 ︎︎ https://yachuchang.net/About Mon, 04 May 2020 13:38:04 +0000 Lydia Ya Chu Chang https://yachuchang.net/About <img width="3840" height="2560" width_o="3840" height_o="2560" data-src="https://freight.cargo.site/t/original/i/381ad20fc56a442b1e7a84e23985b302d3b7eab9848371cece4cf156335b6557/3X7A4423.JPG" data-mid="205652871" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/381ad20fc56a442b1e7a84e23985b302d3b7eab9848371cece4cf156335b6557/3X7A4423.JPG" /> Picking oong dedalu in Gede’s family rain forest, Tabanan photo by Chen Pang Chang 張雅筑是生於1991年台北的藝術家、教育者與耕作者，現任職於實踐大學建築系@studiolydiachang 英國皇家藝術學院(Royal College of Art)建築碩士; 倫敦藝術大學聖馬丁學院(Central Saint Martins)建築學士畢業。 相信經驗，用身體丈量世界，在現象中探索人類感知與萬物間的連結。在某一次的流浪結識一位峇里島人，透過他的日常生活、身體姿態以及信仰儀式深深將她帶浸入峇里島印度教的宇宙觀，體會到峇里島人的生命是從地裡長出來的，從精神上與火山與海洋的對應，每一口放入嘴裡的食物都是土地的能量交換。廟宇、社區、家屋、身體與物件，峇里島人完全的將自己對應到自然環境之中，不斷地處在校準變動狀態，尊重身旁一切平衡找到和諧關係，相信感覺、相信無形、相信二元是平衡不是對立。 張雅筑在2022年與團隊共同製作的作品《藍屋》獲臺北市立美術館X-site首獎，其中策劃的公眾計畫《藍屋研究》，試圖探討無形空間與模糊建築邊界，以事件（event）與來到藍屋的人共創無法預測與複製的現場經驗，讓身體帶走記憶，恣意生長。 曾參與英國Stanton Williams事務所V&amp;A博物館深圳館建案、倫敦設計節(London Design Festival)台灣館製作人、倫敦設計雙年展(London Design Biennale)台灣館共同策展人。2019回台灣後參與社會性倡議行創作，為附近綠地草什麼倡議小組推動者之一、策劃設研院2020國際設計政策 圓桌會議、蘭嶼地下屋研究工作坊、樂生親子藝術工作坊，並於2021年習得樸門認證課程(Permaculture Design Course)，近期參與橋洞 計畫創作《新鄰居》於建國高架橋下的八德市場攤位轉化為駐地睡眠空間。 Believing in experiences, using the body to measure the world, exploring the connections between human perception and all things in phenomena. During a wandering journey, she met a Balinese N, who deeply immersed her in the cosmology of Balinese Hinduism through his daily life, body postures, and religious rituals. She realized that the Balinese’s life is emerging from the land, like how they spiritually corresponding to the volcanoes and the ocean, with all the nature elements, fire, soil, wind and water. Each bite of food represents an exchange of energy with the earth. Temples, communities, houses, bodies, and objects - all aspects of Balinese life are intricately connected to the environment, constantly adjusting the self according to the ever changing situation, respecting all balances around them to find a harmonious relationship. They believe in sensations, believe in the intangible(Sekala &amp; Niskala), and believe that duality is about balance, not opposition. Lydia's work "Blue House," co-produced with a team in 2022, won the first prize at the Taipei Fine Arts Museum X-site. Among them, the public program "Blue House Study," curated by Chang, attempted to explore the intangible space and blurred boundaries of architecture. Through events and interactions with visitors to the Blue House, they co-created unpredictable and unrepeatable on-site experiences, allowing memories to be carried away by the body and grow freely forever. <img width="4096" height="2720" width_o="4096" height_o="2720" data-src="https://freight.cargo.site/t/original/i/84c628acf1ac614490b217d776e75ded45ac684c84106b463a101f8aaf209c7e/IMG_2916.JPG" data-mid="139075116" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/84c628acf1ac614490b217d776e75ded45ac684c84106b463a101f8aaf209c7e/IMG_2916.JPG" /> photo by Tsai Fang Chi 英國皇家藝術學院 建築系 碩士 2017-2019 倫敦藝術大學 中央聖馬丁學院 建築系 學士 2011-2014倫敦藝術大學 中央聖馬丁學院 立體創作 2010-2011英國皇家建築師協會 (RIBA) Part I, Part II 樸門認證課程 (Permaculture Design Course) 2020 新鄰居 橋洞 台北 台灣 2021總策劃 彰化農度剛好市集 彰化縣政府 台灣 2020樂生親子藝術工作坊 衛生福利部樂生療養院 台北 台灣 2020 策劃 地下屋工作坊 郎島部落 達悟族 蘭嶼部落文化基金會 台灣 2020 建築設計師 苗栗公館水圳場域再造計畫 穿龍街村 苗栗 台灣 2020共同策展人 倫敦設計雙年展 台灣館「修龍 Eatopia」展演 倫敦 英國 2016共同策展人 香港台灣設計節「修龍 Eatopia」展演 香港 2016 客座講者 淡江大學建築系 台灣 2020-至今台北「附近綠地草什麼」都市綠地倡議行動小組 2020-至今會長 英國皇家藝術學院 台灣學生會 倫敦 英國 2018-2019共同策劃 摩擦力 橋洞論壇 台北 台灣 2021共同策劃 國際設計政策圓桌論壇 台灣設計研究院 台北 台灣 2019 攝影師 石上純也 蛇形藝廊展亭 倫敦 英國 2019建築設計師 維多利亞與愛爾伯特博物館 深圳館設計團隊 Stanton Williams建築事務所 倫敦 英國 2015-2016製作人 倫敦設計節 台灣館「Eataipei」展演 倫敦英國 2015展覽製作團隊 Philip Beesley 建築事務所與法國Espace EDF基金會「Radiant Soil Alive/ EV VIE」展&nbsp; 巴黎 法國 2013建築志工 ELIV 以立國際服務 BCI孤兒院建造計劃 暹粒 柬埔寨 2012英國皇家藝術學院 Kensington Gallery「Working Progress Show」ADS5 2019英國皇家藝術學院Dyson Gallery「In Silence - 16mm film screening」聯展 2018 法國當代藝術中心(FRAC) X ADS10計畫「Intentions:reading 11 projects from Le FRAC Centre-Val De Loire」聯展 Walter Knoll藝廊 倫敦 2018 英國皇家藝術學院 肯辛頓藝廊「Working Progress Show」ADS10 2018Royal College of Art, Architecture MA 2019 Central Saint Martins, Architecture BA (Hons) 2014 Central Saint Martins, Architecture Foundation 2011The Royal Institute of British Architects (RIBA) Part I, Part II Permaculture Design Course(PDC)&nbsp;2020 Curator, ChangHua Farm Farm, Changhua County Government, Taiwan 2020 Artist, Vahey Workshop, Iraralay, Tao Foundation, Orchid Island, Taiwan 2020Visiting Lecturer, Tamkang University, Architecture Department, Taipei 2020 Photographer, Junya Ishigami Serpentine Pavilion, London 2019President, RCA Taiwanese Student Union, London 2018-19Part 1 Architect, Victoria and Albert Museum Shekou Gallery, Stanton Williams Architects, London 2015&nbsp; Part 1 Architect, The Fitzwilliam Museum Competition, Stanton Williams Architects, Cambridge 2015&nbsp; Part 1 Architect, Blossom Street Development, Stanton Williams Architects, London 2015&nbsp; Production Team, Radiant Soil, Alive/ EV VIE exhibition, Philip Beesley, Espace EDF Fondation, Paris 2013 Interntional Volunteer, Bridge Cambodia International Orphanage, ELIV Organisation, Siem Reap, Cambodia 2012 New Neighbour, Bridge Hole, Taipei 2021Co-Curator, Beyond 2020: International Design Policy Roundtable, Taiwan Design Research Institute, Taipei 2020&nbsp;Architecture final show, Royal College of Art, 2019WIP show, Royal College of Art, 2019 Facilitator, The Salon Project II, Royal College of Art Taiwanese Society, Darwin Building, 2019Facilitator, The Salon Project I, Royal College of Art Taiwanese Society, Darwin Building, 2018 In Silence - 16mm film screening, Royal College of Art, Dyson Building, 2018Intentions reading 11 projects from Le FRAC Centre-Val De Loire, Walter Knoll Showroom, London, UK, 2018 WIP show, Royal College of Art, 2018 Co-Curator, Project Manager, Eatopia, London Design Biennale, London 2016 Co-Curator, Eatopia, Taiwan Culture Festival, HongKong 2016 Eataipei, Producer, London Design Festival, London 2015 Central Saint Martins, Final show, London, UK, 2014 _________________________________________________